Oil On Canvas, Real Flavor of Old Masters

All Raimundo de Madrazo y Garreta 's Paintings
The Painting Names Are Sorted From A to Z

ID Image  Painting (From A to Z)       Details 
78187  
Elihu Root. Painting oil on canvas, Raimundo de Madrazo y Garreta
  		 Elihu Root. Painting oil on canvas   Elihu Root. Painting oil on canvas, 31½" x 25½". Date 1907(1907) cjr
97289  
Kostanjevica, Raimundo de Madrazo y Garreta
  		 Kostanjevica   circa 1931(1931) Medium oil on canvas Dimensions 55.1 X 65.3 cm cyf
97286  
MARQUISE D'HERVEY SAINT DENYS, Raimundo de Madrazo y Garreta
  		 MARQUISE D'HERVEY SAINT DENYS   1885(1885) Medium oil on canvas Dimensions 129 X 85 cm cyf
23126  
Pool in the Alcazar of Seville (nn02), Raimundo de Madrazo y Garreta
  		 Pool in the Alcazar of Seville (nn02)   c 1872 Oil on canvas,23 5/8 x 35 1/2'' Cason del Buen Retiro Museo del Prado,Madrid
97910  
Preparing for the Costume Ball, Raimundo de Madrazo y Garreta
  		 Preparing for the Costume Ball   oil on panel Dimensions 58.4 x 40.9 cm cyf
57196  
The wall of the new workshop, Raimundo de Madrazo y Garreta
  		 The wall of the new workshop   mk253 canvas 168 x 232 cm in 1952 in St. Petersburg, Russia museum
73169  
Versailles le jardin du Roi, Raimundo de Madrazo y Garreta
  		 Versailles le jardin du Roi   Date 1914 Medium Oil on canvas Dimensions 17 x 30 cm cyf
23125  
Women at a Window (nn02), Raimundo de Madrazo y Garreta
  		 Women at a Window (nn02)   n.d.oil on canvas,28 5/8 x 25 1/2'' The Metropolitan Museum of Art,New York City.Bequest of Catharine Lorillard Wolfe,1887 Catharine Lorillard Wolfe Collection
Raimundo de Madrazo y Garreta
1841-1920 Spanish Son of Federico de Madrazo y Kentz. Because of his ability and training with his father, Federico, in the Real Academia de S Fernando in Madrid and with Leon Cogniet in Paris, he seemed destined to continue the family tradition of academic painting. However, due to the influence of the Belgian Alfred Stevens, of his brother-in-law, Mariano Jose Bernardo Fortuny y Marsal, and the Parisian environment, he exchanged dry historical painting for the preciousness of the tableautin, the small, intimate genre painting. He lived in Paris and New York and became so remote from Spanish artistic life that he and Fortuny y Marsal were the only Spanish artists not to participate in any national exhibition, and because of this the Spanish state never directly acquired their works. In 1882, with Giuseppe De Nittis, Stevens and the gallery owner Georges Petit, he co-founded the Exposition Internationale de Peinture, designed to promote foreign artists in Paris. Madrazo Garreta most characteristic works are the female portrait and the witty and elegant genre painting, with soft, delicate tones and suggestive poses. The influence of the Rococo and of Japanese art is reflected in his painting, which expresses an exquisite aristocratic or bourgeois ideal, the illusion of a refined, sensual and superficial life. Consequently, his works are also described as representing the Parisian seraglio. American collectors paid high prices for his paintings, for example Alexander Turney Stewart bought Lady with a Parrot; Carnival Festival (1878) was purchased by L. Wolfe; and Girls at the Window (1875) was bought by J. W. Vanderbilt, the last two now being in the Metropolitan Museum of Art, New York. His portraits were better received in Spain although because of collectors such as Ramen de Errazu (d 1909), the Museo del Prado has a good number of his paintings (e.g. After the Bath).



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